1/8/2023 0 Comments Cavorite sphere model kit![]() Soon all three end up becoming the first humans to trod lunar soil. It's anti-gravity paint, and Cavor is completing the Sphere, a space capsule designed to take a man to the moon. After witnessing the calamitous results of Cavor's secret experiments, Bedford schemes to cash in on Cavorite a metallic paste that, when applied to any surface, "screens out" the force of gravity. Bedford flashes us back to 1899, when he and Kate encounter his new neighbor, the eccentric scientist Cavor. Back in London, clues lead the space agency to aged Arnold Bedford (Edward Judd), who tells the tale of his adventures on the moon with his fiancée Kate (Martha Hyer) and Professor Cavor (Lionel Jeffries) at the turn of the century. On the moon's surface, the astronauts discover an English Union Jack and a scrap of paper claiming the moon for Her Majesty Queen Victoria, dated 1899. The story opens with the first official lunar landing by a United Nations spaceship (this was five years before "the Eagle has landed"). Wells enthusiast Nigel Neale (of the revered Quatermass films) wrote the lion's share of the screenplay. His only widescreen project, Harryhausen co-produced and fellow H.G. And once a month throughout the '70s (so it seemed), local television delivered some of Harryhausen's creepiest creations the ant-like Selenites from 1964's First Men in the Moon. If you were that kind of kid, for years and years you remembered the work and name of pioneering special effects master Ray Harryhausen. No way could you forget the Cyclops wrestling that dragon, or the serpentine Medusa's snake-rattle slither, or the Ymir himself grown to Kong-size taking his final defiant stand atop the Roman Colosseum. Afterward, you may not remember what the plot was about or what the girl looked like other than busty and cute, but by God you recalled every detail of the giant Talos's metal-on-metal creaking when battling a boatload of Greek warriors. Saturday afternoon at two o'clock was never better than when Jason and his Argonauts were kicking an army of skeletons' noncorporeal asses. If you were that kind of kid, you lived and died by the hope of catching a Ray Harryhausen flick. (Before Digital), you were the kind of kid who hid Famous Monsters of Filmland under the mattress, and kept model dinosaurs in his room, or hand-painted in fastidious detail those Aurora plastic model kits of the Gill Man from the Black Lagoon (with "glow-in-the-dark skin!") and the coolest the Venusian Ymir from 20 Million Miles to Earth. Perhaps, back in that antediluvian age B.D. Weekend afternoons were your best chance to catch a nifty sci-fi or monster flick. ![]() We're talking back when, if you wanted to see a beloved old movie, you were stuck with whatever was scheduled on the three (four with PBS) network TV channels. The DVD Journal | Quick Reviews: First Men in the Moonįilm buffs born after the "video revolution" don't know what it was like back in the day.
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